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He was also, at the least, a competent bassist: he played very few passages that were at all flashy, and he had little interest in hardening up the band's sound with his instrument, but the few times he brought his instrument to the front betrayed solid abilities.His voice was never that great, but then again it's hard to imagine somebody else singing most of his parts.Roger may not have been the main songwriter for most of the band's life, but he was certainly the band's dark, bitter soul, and he brought a number of things to the table.He was an effective lyricist, a good writer of bittersweet acoustic ballads, a master of atmospherics and an aggressive user of sound effects to help drive home his points and make the overall sound more powerful.

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Furthermore, it would happen more often than not that said typical classic rock fan would identify themselves as a "big Pink Floyd fan." Years and years after first getting seriously into the band, the distortion of the band's history by the classic rock radio community as a whole continues to greatly bother me.On the other hand, while the earlier albums still found the band in its "research and development" stage, that doesn't mean they should be dismissed.The classic albums did a good job of refining the band's earlier ideas into something more easily swallowed by the general public, but many of these ideas were, in my opinion, done just as interestingly on the earlier albums, if not more so.Frankly, it's not close: DSOTM and Animals are firmly entrenched in my top 50, with WYWH in my top 150, while the pre-DSOTM period has one top 100 album (Piper), a probable top 150 album (Ummagumma, with a live album that would be rated much higher but also with an inconsistent studio offering) and a couple of others that might make it into my top 200 (I've never actually bothered to rank my collection out that far, this is just a guestimate based on my site's ratings).

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There's little question in my mind that the band really figured out how to best focus its talents around 1972, around the time of Live at Pompeii and the DSOTM sessions.One thing that I've never wavered on over the years is that "Echoes" is the best thing Pink Floyd ever did, and many of the more outstanding elements of that track were at least used as crib-notes in bits and pieces later on.

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